Otto Mueller’s Zwei Mädchen mit Pudel (c. 1924-5)
BITCH
I was under your queen, you knew I was
hiding, I was peeking between
four legs, the floor, your
too-short organza
bedskirt. You knew I was so why
did you tell your wife
get on your hands and knees? Unless
that’s just what you say
when she comes home
earlier than you expect and she mustn’t
musn’t suspect.
What noises you make!
And I hiding. And here I
had thought my
my heart your bad dog.
I’M NOT SO HOT THAT I’M NOT
I’m not so hot that I’m not
susceptible to your buckets of
backwashed hummingbird venom
you call swich licour but listen
if ever it seems I’ve mastered my impulses
it’ll be because I’ve lost them.
GOOD FOR US
Then they made food that tasted
good for us, too.
But it didn’t make us feel good
after having and had
no other virtue
than a disposable voluptuousness.
I lived in my car and my body
assumed its vibrations.
I had it bad for you, never having
more of you
than what I could close my mouth around.
And summer was up the hill some,
its icon an orange
cornmeal sphere puffed-up.
I swore you were trouble.
I cursed you, I couldn’t
get full.
Chloe Bliss Snyder is a poet from upstate New York who now writes in Idaho, where she studies and teaches poetry at Boise State University. Her chapbook Ekho and Narkissos was published by the pamphlet series The Swan and its recording can be heard on PennSound. Her most recent work is available or forthcoming in Antiphony, The Chicago Review, Luigi Ten Co, Capgras, and Copenhagen.