Mano Ponderosa (c. 19th century)
Abortion
Is it ridiculous
to think this vulture
might spare me
once more, your
childhood figurines
and my powders
this vulture, radiant
drone that I like
taking days to describe,
the swift, blank
removal how dutiful
one becomes after
everything, how
briefly the spine
embraces the symptom,
it is rare but infants
can develop cataracts,
you taught me that
horror, this vulture
poured luck into my body,
I read a text called
Spleen about tyranny
which said becoming
animal begins
before your mother
and ends before your master,
this vulture,
seeking and volatile,
I had no future
I had dirty wings
Heavenly Creatures
From here I can watch
the neighbor’s television through the trees.
Romance is trapped in my past life.
What I want has nothing to do with men.
I walk to the store to remind myself
why I have chosen to escape this century.
Tombstones, said the groundskeeper,
can feel it when you lay fresh flowers down.
The Red Sun
People notice the serious
look in my eye. I would never
admit to being touched by illness.
I avoid the Latin word for touch.
When I say it I feel completely female.
There’s a bottle full of goat’s milk
I’d like to see tossed in the bathtub.
Then I can begin to think
about the shadow self, that drunk.
I sleep in blood the way
insects sleep in meadows; open,
discoverable, expecting sex.
Some women, in some places,
disappear like handfuls of aspirin.
You know their damp and fragrant bodies.
In rural American, in typical clothes,
I disappeared to become a symbol.
Standing in the tallest wheat,
the red sun made me a ghost.
Iva Moore is a poet from Waverly, Kentucky and the author of Women Collapse Into / Better, Brighter Artists (Oversound, 2023).