Tom Baril’s Eustoma (1998)
Red, White & Blue
I sucked my landlord’s dick
over text today so she wouldn’t
raise the rent
“My grandmother grew up in the neighborhood”
and “You take such good care of the property”
she asks, will you be my eyes in the building?
OK, Big Sister!
not very socialist of me
sort of like my Bratz doll tee
ripped off the shoulders of some chubby preteen
and donated to a thrift store named after
the colors of the American flag
in the checkout line I salute
Spring
Like if I were assaulted in that bathroom
would I be acting so chill right now
killing it with the jokes and charm:
this is so not the disposition of someone bent
to the cruelty of their mornings
A few minutes on my knees I can forget
(the rude bartender doesn’t know anyone who sells Xanax)
then I guess I’ll remember but no way
will I develop a point of view
cause what good is calling something something
a label from a dialogue to collect poor-you looks
like dead skin—other people’s ugliness
is not a currency I’m willing to trade on
Leave it for the smarties to arbitrate
what motherfuckers do in bathroom stalls
now it’s whiskey to steady myself
ahead of the next trip to my knees
hoping this time ends better than the last.
That Song by Peggy Lee
I was sitting on the couch at 6am thinking about which songs to play at my funeral when the ghost of chavela vargas held my hand / the same night I took a cutting knife and made a mark under my eye / I looked for the full moon but couldn't find it / so I walked up and down the block / another night I checked the basement for ghosts with the same knife / I need a book deal before my friends send me to rehab / that song by peggy lee, you know / ba da da da da / everyone puts on techno at the afters / circular music that sounds like being trapped / it doesn’t go anywhere.
Jacob Seferian is a writer whose work has appeared in several magazines. He lives in New York City.