François Léonard Dupont’s Composition au groupe de Vénus désarmant l'Amour, aux coquil (1821)
The Past Is a Drum
The blood made us human but the hunger confirmed it. Run it back, one-two-one-two, to us, to prairie edge summers with the white waistband pulled high. Materially we vampired, drinking our dinner in a beige kitchen, trading youthlight for a darkness that finally included us, but we rocked back and forth, trying it romantic before thinking better. The glasses got sweaty. A plane passed over low. A beat within a beat. There was a minor car accident down the street and we watched from the window. There was a new song on the speaker and a folder of stale memes on your phone. Do you remember taking a video? TV on, regret dot com. Later at the diner, we ordered burgers and laughed. It was all too much, you hanging upside down and me eyeing the dawn, you bottling shadows and me holding the source, yet the heartlines still sync. Couldn’t hold me down for a lease or a lifetime, but that night we got it right.
Teach Me How to Cry
The only road is a gravel one,
but you know its crunch so well.
Coarse and ever-shifting, like
the hide of a dragon
on a hero’s wrist: it cuts you
invisibly, unfailingly, as much as it
returns you, a rear-chasing animal
licking cuts, to your calf
accidentally touching the hot engine of
the motorcycle, the one
your father loved. Did you even
cry? In another life
you were a child emperor
walking halls of golden spoils.
Delicate for a reason. Like
a motorcycle, you learned
to disappear around the bend
in a series of bends.
Infinity Pool
He stands on the balcony and waits,
ignoring a sky that looks not unlike
the infinity pool below, lacking bulbs
to betray depth. He looks down
in his hand, but his phone is now
a fantasia of wants, swimming deep
and profoundly unavailable.
From above, LA congeals and cracks into
champagned fractals, a thousand coins
burnished by a dragon’s bosom. Is he just
another coin? He traversed the kingdom
but it’s not enough. His hair is shorter
but the magic is fraught. Buzzing. Old hurt.
Chatter and ice-click. Dry air, thick
with need. He cuts through the dream,
typing back some flirty nonsense—had anything
changed? A stirring at his side. Oh
honey, the dragon whispers,
just set the damn boy free.
Jeremiah Moriarty is a queer writer from Minneapolis. His poems and stories have appeared in The Rumpus, Puerto del Sol, No Tokens, The Cortland Review, and elsewhere.