Unknown artist’s Two white roses, in a still life (1885)
landscape with sex and violence
after lynn melnick
the morning after
the sun was strong
and it made me feel clean
the one time i did not go to flush
you out, threaten infection, want,
careless or frozen, it was colder
that night, like i wanted to stay
close to your furnace,
the mountains outside sharp
to remember in the morning instead,
you never took my clothes off,
just did what you had to do, you say
you don’t care for words,
what’s it to you?
what’s it all for?
we talk like animals anyways
that’s what you would study,
how to build, how to lie
still, mow the lawn manicure
the sacred flowers, no bruises
we can see, silent knife,
Every Place is like Somewhere Else,
unsaid like the dunes,
quiet violence, a shrug
two faces, and no one to see
put on your boots first thing
like ready to leave—why don’t you
take a dead thing
between the teeth,
the swirling landscape,
and your complaints,
the American flag stabbed
into a hill
sublime
first glimpse
of Nashville is gray and
dead and all these
cars
the morning after
the sun was strong
and it made me feel clean
Lagnajita Mukhopadhyay (lagnajitam.com) is an Indian-born epic poem collage stranger and break-up with America tour—on self-imposed exile from New Nashville, and the author of the books this is our war (Penmanship Press, Brooklyn, 2016) and everything is always leaving (M.C. Sarkar & Sons, Kolkata, 2019), and poetry album i don’t know anyone here (2020). She was the first Nashville Youth Poet Laureate, finalist for the first National Youth Poet Laureate, and Pushcart Prize nominee. With a Masters’ in Migration and Diaspora at SOAS, she is now a Masters' candidate in Creative Writing at Goldsmiths. Find her work in Poetry Society of America, Nashville Arts Magazine, and Cream City Review, among others.