William Mason Brown’s Still life with peaches and silver platter (c. 19th century)
Gladiator (2000)
fingers tracing a memory meadow
you only like me when I am crumpled
chin dropping to my collarbones
in apology or prayer
Resident Evil (2002)
still here, still biting
like a mutt
maw open far
wide and aching
stretching the same skin thin
and you know when I’m born again
I’ll run and I’ll jump and I’ll fall because
I know you’ll just want to know
what I’ll look like
what my body will become
when I’m gone again
Safe (1995)
The only way you can see the sky downtown is through the reflections of office windows—you know, the ones that birds smack into, because they don’t see them as barriers in their flight. When I left you for the desert, I couldn’t believe how much sky I could see, how many flowers, bones, wounds I had to pick. Whispering I love you, I love you, I love you, to my mirror in the dark, Bloody Mary, praying you’ll see me as I am, I am, I am.
Sennah Yee is from Toronto, where she writes poetry, prose, and film criticism. She is the author of the poetry collection How Do I Look? (Metatron Press) and the children’s book My Day With Gong Gong (Annick Press). She is the managing editor of In The Mood Magazine, a film and pop culture journal.