Unidentified painting in the Musée des Beaux-Arts de Valenciennes
Service Visit
I am never prepared to see you. How it hits.
Glimpse so thin it stabs in, there, right there,
between the ribs. Like the rusty nail file
someone assassinated an empress with.
Something corroded I can’t let go of.
Mispurposed. I am not famed
for my beauty like that empress,
but nothing and no one has ever
made me feel as ugly as you did. Do.
I wish you were ugly all the time.
Your jawline makes me go deer-still,
like I am prey and not just praying
for you to want me again. Impossible
to see your mouth and not think
of how it parted when you slid
inside me. I gave you, gave up
my rib. The hole I was left with.
What did you ever give me
except a deeper addiction
to nicotine and mixed feelings
for all my favorite places?
In the lab you repair all
our instruments. I am
surprised by your handwriting
on their tags. Attracted to it.
Stare at these machines
I use but don’t understand
the way you do. Touch
the tubes and gears.
Proof you were here.
Touch my skin too.
If I was a machine,
I could be fixed, rid
of this longing, this
lack. Your hands
on me again. My
breakdown would
call you
back.
Sophia Carroll (she/they) is an analytical chemist and writer. Her work appears in wildness, SmokeLong Quarterly, Rust & Moth, and elsewhere. She is also the co-founder of M E N A C E, a magazine for the literary weird. Find her on Substack at Torpor Chamber and on Bluesky @torpor-chamber.bsky.social.